Winky D’s “Not Like Us” Freestyle: a subtle diss on ‘industry plants’ and a celebration of ZimDancehall’s roots

By Marshal Bwanya

Harare – ZimDancehall maestro Winky D delivered a powerful message during his weekend performance at the Castle Braai Fest, subtly dissing ‘industry plants’ and reaffirming his commitment to the genre’s authenticity.

His choice to freestyle over Kendrick Lamar’s chart-topping Drake diss “Not Like Us” beat was a deliberate move to highlight the parallels between his own journey and Lamar’s challenge to Drake’s perceived cultural inauthenticity.

The freestyle, aptly named “Tiki-Taka,” serves as a powerful reminder of ZimDancehall’s roots and the importance of preserving its authenticity in resonating with the political, economic, and socio-economic challenges faced by the masses.

Winky D used the freestyle to celebrate the origins of ZimDancehall, tracing its roots back to Chitungwiza town, which played a pivotal role in the genre’s development.

He also emphasized his resilience, acknowledging the numerous challenges he faced along the way, including resistance from those who doubted his dominance.

The lyrics “Pane vakaita Chicken out, ndakaramba ndiri In(n) kumatcher Simbisa Brands” encapsulate Winky D’s unwavering dedication to ZimDancehall.

Winky D in the freestyle also says while others may have abandoned the genre, he has remained steadfast, refusing to compromise his artistic integrity.

By choosing the “Not Like Us” beat, Winky D not only paid homage to Kendrick Lamar but also sent a clear message to those who attempt to undermine the cultural significance of ZimDancehall.

In the freestyle, Winky D also addresses the drug abuse challenge within ZimDancehall, where some artists have become victims.

His lyrics, “Pamafira kureva paya ndaka reva, voti Rasta apa mapikisa Dance…” conveys his concern and frustration with this issue.

Winky D also pays tribute to the late Soul Jah Love, recognizing him as one of the most authentic musicians in the genre who sang about the challenges that resonated with the masses.

His heartfelt tribute, “Rest in peace Soul Jah Luv, akafira Dance…” highlights Soul Jah Love’s significant impact on ZimDancehall.

Despite its vast popularity and cultural significance, ZimDancehall has been the subject of much debate since its inception in the early 2000s.

Some musicians have used the genre to encourage negative behaviours, such as drug and substance abuse, moral decadence, and social deviance.

However, others, like Winky D, have used it to advocate social justice, utilising their music to amplify the people’ grievances, hopes, and aspirations.